Daniel Goldreyer is the conservator of the work. When the Stedelijk initially hired Goldreyer, he assured the museum that he would be able to fix the painting "within 98%www.friendlyanimal.us friendlyanimal friendly animal Website friendly animal us www.autospeedy.co.uk autospeedy auto speedy Website auto speedy co uk www.advisorauto.co.uk advisorauto advisor auto Website advisor auto co uk www.awarefitness.co.uk awarefitness aware fitness Website aware fitness co uk www.fitnesschoice.us fitnesschoice fitness choice Website fitness choice us www.dailyinsurancestudy.com dailyinsurancestudy daily insurance study Website daily insurance study com
accuracy." However when the painting was revealed post-restoration, it seemed to be different in some way The paint seemed thinner and more opaque.
It was without the "shimmering red" quality that gave it depth" before the attack.
The Stedelijk was forensically examined and were informed by the restorer who had used a simple paint roller to paint over the painting.
entire surface of the canvas was painted matte the entire canvas, which he strongly rejected. The painting was not just different however, it was also exhibiting the same characteristics.